Adjust Text Size:change font sizechange font sizechange font sizechange font sizechange font sizechange font size

Share Your Story

Attachment: esterbergjoy.jpg

by Joy Esterberg

An African man asked by a neighbor what he thought of the new school principal, replied, ďI donít know, I havenít seen him dance yet."

This struck me as a very telling comment. Not only how we dance, but how we move, speaks volumes. Are we clumsy, graceful, hesitant, fluid? For people with Parkinsonís disease this question is even more resonant, because who we are becomes obscured by our movement disorders.

Six years ago I was diagnosed with Parkinsonís disease. Four years ago I started taking medication. Two years ago I started dancing and found the Brooklyn Parkinsonís Group. BPG has collaborated with Mark Morris Dance Center to start an experimental free dance program for those with Parkinsonís. It has turned into an international program and BPG, a magnet for proactive, engaged people with Parkinsonís, has swelled in numbers.

When I arrived I was immediately welcomed into the community and impressed and touched by the openness with which the members embraced the dance program. The teachers, premier dancers all, perform movements that the class imitates, as well as inclusive exercises such as the ďname gameĒ and a series of farewell bows. Non-verbal improvisation done with different partners adds dimension to existing relationships.

Dance has always been important to me. I have watched at least a dozen dance concerts a year for the past twenty-five years and before I had Parkinsonís I did ballroom dancing. At first after being diagnosed, I didnít think I would be able to dance again, but then realized I could work at my own level and, despite constraints, maybe even progress and improve.

Dance is magical. Using and focusing the body like an instrumentóthe paintbrush of an artist or the horn of the jazz musicianócreates an intense integrative force. Research has shown the beneficent effect of movement and dance on the brain. Neuroimaging has identified regions of the brain that are similarly active when performing actions or watching others perform the same action, both of which we do in dance class.

Dance can be instrumental in identifying left-right signals that become blurred by Parkinsonís and can help restore them along with the underlying balance of the system. Rhythm is the means through which this is achieved. A steady beat like a central fulcrum regulates and supports the timing of movements to the left or right.

Just as dance is good for the brain, it is good for the body. One of the pleasures of the dance class for me is learning basic moves such as ballet plies and releves and the finger-snapping jazz steps of West Side Story. Sustained repetitive dance movements strengthen muscles and keep the body supple, which is of particular importance for people who suffer the relentless contractions that characterize Parkinsonís. It is extremely important to commit to movements as fully as possible. Every dance step or movement has an extended ideal form. One must be able to envision that form, in order to embody it, which means doing the movement completely, to the utmost. That effort completes a mind-body circuit that strengthens the physicality of the body while preserving the brain.

Dancing is what scientists call an ďembedded art formĒ. It is ancientóas old as our species and used ritually by every culture. Whether spontaneous or formal, learned or free form, rhythmic movement engages the whole being: body, mind, heart and soul. When we are alone and move freely to music, our bodies tell us what part needs to be moved and how, what pattern of movement will be restorative for us. When we are in a group we follow patterns in which emotion is both projected and controlled. The mind directing the dance movements becomes totally immersed in them; it becomes one with them. It creates aesthetic form using the body, and the total immersion in those patterns often leads to altered awareness and a feeling of awe.

Does all of this happen every time I dance? No, but the more I reach for a certain form in class the more likely I am to ďforget myselfĒ in the movement, which is the sublimity of dance.

Posted by PDF Admin on June 17, 2010


File & Resource Types Legend

book
Books
video
Videos
website
Websites
news
Publications
org
National Organizations
localorg
Local Organizations
personal_stories
Personal Stories
pdf
PDF Document
excel
Excel Document
word
Word Document
window
Opens new Window for non-PDF Website
rss
Subscribe by RSS